Christopher Benfey

The Return of Trump—II

On Gaza, trade, con men, sinking feelings, the federal workforce, and “Brexit plus plus plus.”

Siding with Ahab

Can we appreciate Herman Melville’s work without attributing to it schemes for the uplift of modern man?

Nîmes and Other Destinations

When we travel, we sometimes find ourselves in places—destinations of memory or the imagination—not found on any maps.

Solo Sonata

In December 1943 the composer Béla Bartók, in exile from fascist Hungary, arrived for a stay in Asheville, North Carolina. 

A Leaf or Two from Whitman

The promises and failures of the American twentieth century suffuse Ben Lerner’s new book of poems and Tom Piazza’s new novel.

Constable’s Quiet Tumult

John Constable’s lifelong struggle was to convey his deep feelings for his native countryside to a reluctant public, which preferred escapist historical tableaux and portraits of grandees.

Resistance Pottery

Two recent exhibitions of the work of Black potters find political acts in the placid history of nineteenth-century American stoneware.

Unsilent Spring

Spring just got noisier.

Exquisite Solitude

Buildings Come to Life

In Edward Hopper’s paintings of New York, human figures often seem outgrowths of their architectural surroundings.

Apostle of Youth

In the music and writings of Ned Rorem, I found a kindred voice—a Quaker “of the intellectual rather than puritanical variety.”

Later Disregard

I just turned sixty-eight.

Emerson & His ‘Big Brethren’

“‘You are yourself a sequoia,’ John Muir told Emerson during the philosopher’s trip to California in 1871. ‘Stop and get acquainted with your big brethren.’”

Shaggy Allies

It’s comforting to know that Melville, isolated in an old farmhouse in Pittsfield, had the company of a dog.

Provocation from Another Soul

“Stanley Cavell was a dazzling teacher. You felt that he was opening his private studio to you, showing you how philosophy gets done rather than simply reporting his findings after the fact.”

The Hum of Humanity

The autobiographical turn in Stanley Cavell’s later work illuminates his extraordinarily varied philosophical interests.

‘River’ Runs

In the Kingdom of Coincidence

I don’t have a theory of chance connections—I don’t see them as part of a divine plan or dictated by the stars—but, like other writers, I find them richly suggestive.

Exile on Main Street

A new book argues that Edgar Lee Masters’s Spoon River Anthology helped overturn old notions of the virtuous New England village as the prototype of American life.

‘Such a Lovely Turmoil’

Albert Pinkham Ryder was described as the American Van Gogh; Jackson Pollock called him “the only American master who interests me.” Why has his reputation waned?