Max Nelson

Accounts of the Struggle

“The work for Palestinians today is to explore how we can reclaim our revolutionary legacy and extend it into the twenty-first century.”

Gregor Samsa in Mexico

“Truth—open, public truth—is under attack both by organized crime and by the state itself.”

Storm Over Columbia

“The only reason we didn’t descend into violence that day was that the students remained calm. They were the only adults in the room.”

Dominant Orthodoxies

“So many advocates of the ‘peace process’ since the 1990s have simply ignored the structural reality that makes meaningful sovereignty and self-determination for Palestinians—the attainment of basic rights and freedoms—impossible.”

A Marx for All Seasons

“An Internet dominated by the profit motive is also an Internet that violates our privacy, amplifies right-wing propaganda, and intensifies various kinds of social inequalities.”

The Art of Feminine Injury and Excess

“I’m clearly invested in recovering forms of labor that, precisely because they have historically been performed by women, aren’t readily legible as work.”

A Second Look at the Second Wave

“Feminism, to my mind, names the richest, most sustained body of thought we have about gender as both a constraining imposition and an uncontestably personal language.”

The Tragic Mode

“I love Ralph Ellison’s definition of the blues as ‘an autobiographical chronicle of personal catastrophe expressed lyrically.’ I set out to engage the catastrophe.”

The Asymmetry of Gender

“I’m not ready to jettison identity as a route into political awareness and action. But identity is not politics itself.”

Alone Together in Taipei

Intimacy in Tsai Ming-liang’s films is an elusive possession, but the desire for it is constant and always particular.

‘Don’t Write on Here, Bad Girl’

Over sixty years, Yvonne Rainer has made an art of bringing a deadpan comic tone to strenuous scenes of bodily exertion, political struggle, emotional strain, and taxing thought.

When Mesmerism Came to America

The direct encounters between clairvoyants and the men who mesmerized them seem less like collaborations than like competitions over who would set the terms of the session and whose interests it would serve.

Wild, Blooming Facts

Chris Marker, Always Moving

In his films, writings, and other projects, Marker kept returning to the matter of what it meant to live a happy life.

A Hard Road Home

The films of Chantal Akerman

Claire Denis’s Chemical Reactions

To want to get close to another person, in Claire Denis’s world, is to venture into strange and unknown territory. In her new film Un beau soleil intérieur, Isabelle (Juliette Binoche), a divorced middle-aged painter, looks for a passionate, enduring love.

The Chevalier of Disquiet

Stan Brakhage: More Light

Stan Brakhage’s movies could be abstractions made by painting, scratching, or collaging directly onto the film stock itself, or intimate records of his family life. There is a disquieting tension in many of the films he made about his family during his first marriage.

Born to Sing the Gospel

A tone often emerges in Washington Phillips’s songs—a sense of vulnerability that undercuts the confidence his sermons project. The figures in his songs, as in many prewar gospel recordings, tend to be persecuted and burdened, doomed to roam a world of “sin and woe.”

‘What I Couldn’t Say Myself’

The greatest revelations in the show “Danny Lyon: Message to the Future,” currently at the Whitney Museum, come from Lyon’s little-known documentary films.