Prudence Peiffer

LaToya Ruby Frazier: Documenting the American Family

In her first solo show, LaToya Ruby Frazier uses the gallery’s grand, multistory Harlem building to great effect, staging her own grand, multistory portrait of the contemporary United States.

Agnes Martin, Richard Tuttle, and the Line Between

“Agnes Martin, Richard Tuttle: Crossing Lines” is that rare show that focuses on how certain artists’ mutual influence takes form outside of neat chronological order.

Abbott's Paris Rebels

Looking at Paris Portraits 1925-1930—Berenice Abbott’s earliest photography project—I think Abbott meant not simply to see more clearly, but to see how much eludes us in any view.