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A Hard Case

Diaries of Mario M. Cuomo: The Campaign for Governor


The Central Man

Lincoln: A Novel

by Gore Vidal


In Hell

An Interrupted Life: The Diaries of Etty Hillesum, 1941––1943

translated by Arno Pomerans, with an introduction by J.G. Gaarlandt

The Murders at Bullenhuser Damm: The SS Doctor and the Children

by Günther Schwarberg, translated by Erna Baber Rosenfeld and Alvin H. Rosenfeld


The End of the Tether

Intimate Memoirs, including Marie-Jo's Book

by Georges Simenon, translated by Harold J. Salemson


Heroines

The Princess of Siberia: The Story of Maria Volkonsky and the Decembrist Exiles

by Christine Sutherland


The Catch in the Late Picasso

Picasso: The Last Years, 1963––1973

an exhibition at the Guggenheim Museum, sponsored by the Grey Art Gallery of New York University, January 23 to March 9, 1984

Picasso: The Last Years, 1963––1973

by Gert Schiff


Winter’s Tales

Him with His Foot in His Mouth and Other Stories

by Saul Bellow


Mastering the Signs

The Conquest of America: The Question of the Other

by Tzvetan Todorov, translated by Richard Howard

Religion and Empire: The Dynamics of Aztec and Inca Expansionism

by Geoffrey W. Conrad and Arthur A. Demarest


The Return of the Native

An American Procession

by Alfred Kazin


Portrait of a Genius as a Young Man

John Maynard Keynes: 'New Wisdom for a New Age'

by John Kenneth Galbraith and Roy Jenkins and Richard Wainwright, edited by Andrew Duff

John Maynard Keynes Vol. I: Hopes Betrayed, 1883–1920

by Robert Skidelsky

John Maynard Keynes: A Personal Biography of the Man Who Revolutionized Capitalism and the Way We Live

by Charles H. Hession

Lydia Lopokova

edited by Milo Keynes


Notes of a Friend and Brother

Henry James Letters Volume 4: 1895––1916

edited by Leon Edel


The Wealth of Nations

Economic Development: Theory, Policy, and International Relations

by Ian M.D. Little


Balanchine after Balanchine

Liebeslieder Walzer

choreography by George Balanchine. for the New York City Ballet, music by Johannes Brahms, staged by Karin von Aroldingen. at The New York State Theater

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