|Exif II* h p ( 1 2 ; 5 i The cover of Vaughan’s 1894 seed catalog, an example of what Elizabeth S. Eustis in Flora Illustrata calls the ‘height of dazzling chromolithography’ of late-nineteenth-century seed catalogs. ‘The appropriation of chromolithography for commercial purposes repelled art critics, but delighted consumers,’ Eustis writes. ‘It remained the preferred embellishment of seed catalogs until color photography began to displace it around 1896.’ Canon Canon EOS-1Ds Mark III - ' - ' Adobe Photoshop CC (Macintosh) 2014-12-17T21:35:25-05:00 thebluroffice LuEsther T. Mertz Library, New York Botanical Garden
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